The Edinburgh SF Book Club recently met to discuss Twisted Metal. They asked me to provide them with a little bit of background to the book. Here it is…
The main inspiration behind Twisted Metal is here on my blog:
…but that’s not the full story.
The working title of TWISTED METAL was THE BOOK OF ROBOTS. That was never going to be a commercial title, but I liked the way it literally described not only the novel itself but also the rather biblical “Book of Robots” within the text; and that it also sounded like the sort of big SF picture book I used to read when I was a child. One of the reasons for the manga like illustrations within the novel was to make the book look like an old illuminated manuscript. The joke on the robots is that they don’t believe in their creator when they clearly have one. The reader can form their own conclusions about our world.
TWISTED METAL was partly inspired by the nature and form of old ballads: the idea of old stories that subtly change in the telling over the years. I have since written a quartet of stories: STORIES FROM THE NORTHERN ROAD based on old English ballads but set on Penrose. These may eventually see the light of day if Macmillan ever get round to giving me the go ahead to publish them.
The names in TWISTED METAL weren’t chosen by accident.
Karel should need no introduction to SF robot fans, his wife Susan dropped her maiden name of Calvin. Turing City and Penrose offer differing thoughts on the nature of machine intelligence, and the countries of Segre, Bethe, Wein et al are all connected. Even Artemis featured in my previous Recursion trilogy under another name. Whilst reading the book, you may want to spot the connections, SF and otherwise, between the names. The only original name, by the way, was made up by my daughter who, when she heard I was writing a book about robots said “You should have one called Banjo Macrodocious, then.” I realised that she was right, and he was so included. She also came up with Wa-Ka-Mo-Do from BLOOD AND IRON.
There comes a moment in the development of every story when I have the realisation that finally allows the transition from my mind to the page. For TWISTED METAL, this eureka moment came when I figured out the mechanism by which robots reproduce: with the women twisting the shape of a child’s mind and the men looking on and having to trust what they were doing. This led to the book’s original opening line: Two robots were making love in the middle of an electrical storm. The preceding paragraphs were added later to make the opening more commercial.
TWISTED METAL and BLOOD AND IRON were originally going to be one book, but the characters developed a life of their own and the first book expanded. Kavan, in particular, was only going to be a minor character, but such is the nature of his belief he quickly invaded more pages than he should have. That’s why Karel and Kavan have such similar names, by the way. If I were to write the book again Kavan would be called Arban and would play the cornet beautifully.
There is a third, as yet untitled, book that completes the trilogy. Personal circumstances have meant that it is as yet uncompleted, but in time I hope that both Karel and Kavan will finally make it to the top of the world.